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Sucesivos momentos de la película desarrollan contrapuntos rítmicos y orgánicos en los que las transformaciones cósmicas envían medusas al cielo y las olas al sol.

"Whereas SQUARE INCH FIELD was composed largely in the camera, Rimmer's next film, MIGRATION, made full use of rear-projection rephotography, stop-framing, and slow motion. The migration of the title is interpreted as the flight of a ghost ...